Virus redentor Ying | Banda Elástica

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Virus redentor Ying

from Pandemonium by Banda Elástica

	/

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It preserves its introspective spirit, bass and percussion ground the song, with its movement time flows. Flutes and guitars, on the other hand, suspend it, lethargic, aspire to the stagnation of time, to the eternal. Yin, the receptive.
So much chaos, so much evil, so much injustice, nothing less than the state of man: Instruments and counter-instruments, the Tibetan Book of the Dead tells us, this is the struggle and the war. Redemption as a balm, we are all guilty and peremptory, our time is running out. It is necessary to vindicate ourselves in peace and hope, even if they border on fear and desolation. Will there be REDEMPTING VIRUSES? There are, but only in the domains of art, this oxymoron as a vehicle for the Creative (Yang) and the Receptive (Ying). The musician shapes his anguish, his evil, and magically this transports him and redeems him, from playing to officiating. Suffice it to quote a giant John Coltrane, that's how he did it and for the good of all.
Yeahhh! no rushing, it is the enemy of perfection. It is clear that with time dilators everything can be, so hurry up. Expanded time is immediate gain, fortunate ascension, record of happiness and many bonuses. Of course, it is difficult to reach overtime.

credits

from Pandemonium, released March 12, 2021
Proposer, flutes, flute in G: Guillermo Portillo.
Portillo.
Banjo with and without bow: Dante Pimentel. Guitars and harmonicas : Guillermo G. Phillips. Jinashi : Marcos Miranda.
Double bass Sósimo Hernández.
Drums Luis Miguel Costero.

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Banda Elástica Mexico City, Mexico

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